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#X text 20 84 Signal Type:;
#X text 21 21 Global Controls:;
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#X text 8 6 1) Given harmonically related sinusoids \, find the maximum
inter-onset time that will allow perceptual fusing when the sinusoids
are played in an ascending arpegio with quick attacks (20 msec peak
\, 1000 msec duration) and slow attacks (500 msec peak \, 1000 msec
duration).;
#X text 12 175 Directions:;
#X text 12 240 2) Set the peak location to 20 msec.;
#X text 12 318 4) If you hear a single note of changing timbre \, increase
the inter-onset time. If you hear an arpegio \, decrease the inter-onset
time. Play the arpegio and decide if you hear a fused note or an arpegio.
Repeat this step until you find the maximum inter-onset time that allows
perceptual fusing.;
#X text 12 201 1) Make sure the signal type is set to harmonic \, choose
a base frequency \, and set the duration to 1000 msec.;
#X text 12 396 5) Repeat steps 3-4 with a peak location of 500 msec.
;
#X text 12 266 3) Set the inter-onset time to something arbitrary \,
play an ascending arpegio using the button above \, then decide if
you hear an arpegio or a single note of changing timbre.;
#X restore 22 355 pd question1;
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#X text 11 156 Directions:;
#X text 4 6 2) Given harmonically related sinusoids using the envelopes
from question 1 \, find the maximum inter-onset time that will allow
perceptual fusing when the sinusoids are played in a descending arpegio.
How do these results compare to the results from question 1?;
#X text 11 221 2) Set the peak location to 20 msec.;
#X text 11 325 4) If you hear a single note of changing timbre \, increase
the inter-onset time. If you hear an arpegio \, decrease the inter-onset
time. Play the arpegio and decide if you hear a fused note or an arpegio.
Repeat this step until you find the maximum inter-onset time that allows
perceptual fusing.;
#X text 11 182 1) Make sure the signal type is set to harmonic \, choose
a base frequency \, and set the duration to 1000 msec.;
#X text 11 247 3) Set the inter-onset time to the inter-onset time
that caused perceptual fusing with this peak location in question one.
Play a descending arpegio using the button above. Decide if you hear
an arpegio or a single note of changing timbre.;
#X text 11 403 5) Repeat steps 3-4 with a peak location of 500 msec.
;
#X restore 22 377 pd question2;
#X text 10 274 To access the patch for;
#X text 11 290 a question \, click the;
#X text 11 306 appropriate box below.;
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#X text 7 32 This patch plays six sinusoids of equal amplitude in either
ascending or descending arpegios. Each sinusoid is enveloped by a triangular
window. You can set the peak's location in time with the peak location
box. By setting the peak location to a small number compared to the
duration of the note \, you can achieve a rapid onset and a long decay.
Increasing the peak location will produce notes of slower onset. You
can set the inter-onset time of the arpegiated notes to make the arpegios
slow (with a long interonset time) or fast (with a short interonset
time). All times are in milliseconds \, so 1000 msec will be 1 second.
;
#X text 7 192 You can choose to have the sinusoids either be harmonic
or inharmonic. In either case you can set the fundamental frequency.
Inharmonic sinusoids in this patch are produced by randomly detuning
the partials of a harmonic sinusoid.;
#X text 7 8 Timbre Lab;
#X restore 22 333 pd about;
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#X text 11 156 Directions:;
#X text 11 221 2) Set the peak location to 20 msec.;
#X text 11 325 4) If you hear a single note of changing timbre \, increase
the inter-onset time. If you hear an arpegio \, decrease the inter-onset
time. Play the arpegio and decide if you hear a fused note or an arpegio.
Repeat this step until you find the maximum inter-onset time that allows
perceptual fusing.;
#X text 11 403 5) Repeat steps 3-4 with a peak location of 500 msec.
;
#X text 11 182 1) Make sure the signal type is set to inharmonic \,
choose a base frequency \, and set the duration to 1000 msec.;
#X text 11 247 3) Set the inter-onset time to the inter-onset time
that caused perceptual fusing with this peak location in question one.
Play an ascending arpegio using the button above. Decide if you hear
an arpegio or a single note of changing timbre.;
#X text 9 4 3) Using the envelopes from question 1 \, find the maximum
inter-onset time that will allow perceptual fusing when the inharmonically
related sinusoids are played in an ascending arpegio.;
#X restore 22 400 pd question3;
#X text 64 142 Freq;
#X text 63 215 duration;
#X text 64 192 peak location;
#X text 63 236 inter-onset time;
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#X text 6 2 Interface Help;
#X text 30 23 Bang;
#X text 31 89 Toggle;
#X text 52 169 Number Box;
#X text 35 371 Slider;
#X text 11 41 A bang is a button that has no state (see toggle) and
is used to trigger something. Clicking on one should do whatever the
label next to it says.;
#X text 11 109 A toggle is a button that has state (it either has an
X in it or it does not). Toggles are often used as on/off switches
\, with an X indicating that something has been turned on.;
#X text 11 193 A number box lets you set values. You can enter things
into a number box in two ways. The easiest way to enter a specific
number is to click in the box \, type the desired number \, then press
return. If would like to scroll through settings \, you can click in
the box and move the mouse up or down while holding down the (left)
button. This will scroll through by ones. To scroll through by hundredths
\, hold down the shift key while scrolling. If a box won't let you
scroll below or above a particular number \, it has been set not to
let you slide past that number for some reason. Wile you can probably
type the number in and have it work \, it might be a bad idea \, since
the boundary was put there for a reason.;
#X text 34 404 the slider bar up or down to change its value.;
#X text 34 390 Sliders work a lot like number boxes. Click and drag
;
#X restore 114 400 pd help;