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"Walking Barcelona:
A Travel Journal," T-Sector, January, 2001 |
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"Good
Neighbors," Rethinking Marxism, Volume 12 #2, Summer 2001 |
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"Artists' Voices: Elizabeth
Sisco," Contemporary Art and Multicultural Education, edited by Susan
Cahan and Zoya Kocur, New Museum and Routledge, New York and London, 1996.
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Modernism Relocated:
Towards a Cultural Studies of Visual Modernity, John C. Welchman, Allen
and Unwin, 1995 (photo credit, page 267) |
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Confessions of the
Guerilla Girls, Guerilla Girls, Harper Collins Publishers, 1995 (photo
credit, page 23) |
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"Artist, Citizen, Taxpayer,"
The Cultural Battlefield: Art Censorship and Public Funding, Avocus
Publishing, Inc., 1995 |
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"Art Rebate: Between
a Rock and Hard Cash," The Los Angeles Times, August 23, 1993 (editorial
article with Louis Hock and David Avalos) |
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By Any Means Necessary,
Printed Matter Bookstore at the Dia Foundation, New York, New York,
1992 (catalogue inclusion) |
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Notes for the Material
World, Contemporary Photomontage, Kohler Art Center, Sheboygan, Wisconsin,
1994 (catalogue inclusion) |
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La Mera Frontera/The
Border, Art About the Mexico/United States Border Experience, Museum
of Contemporary Art, San Diego and the Centor Cultural de la Raza, San Diego,
1993 |
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"Model Curriculum Guide
for Digtal Photography," 1993 (with J. Freeman) |
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"The NEA is Dead,"
National Association of Artists Organizations Bulletin, April/May 1992
(with Deborah Small, Louis Hock, Carla Kirkwood, and Scott Kessler) |
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"Art and Politics: A
Pre-Election Symposium," Art in America, volume 80, number 10, October
1992, page 40 |
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NHI, book produced
in conjuction with exhibition, 1992 (with D. Small, C. Kirkwood, S. Kessler
and L. Hock) |
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"The NEA is dead," La
Jolla Light, Letter to the Editor, March 26, 1992 (with D. Small, C.Kirkwood,
S. Kessler and L. Hock) |
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NHI, catalogue,
1992 (with D. Small, C. Kirkwood, S. Kessler and L. Hock) |
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Banff: Local Interpretations,
book, Walter Phillips Gallery, 1991 (with L. Hock |
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Vecinos: Dos Caras
De Moneda, catalogue, Consejo Nacional para la Cultura y las Artes,
1991 |
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"Community Transactions,"
Between Views, catalogue essay, Walter Phillips Gallery, Banff, Canada,
1991 (with L. Hock) |
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Welcome to America's
Finest Tourist Plantation, catalogue, revised and reprinted, 1991 (with
L. Hock and D. Avalos) |
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America's Finest?,
catalogue, 1991 (with D. Small, S. Kessler and L. Hock) |
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"Questions for the NEA,"
Commentary by David Avalos, Craig Freeman, Louis Hock, Elizabeth Sisco and
Deborah Small, New Art Examiner, November 1991 |
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Welcome Back Emma!
script and catalogue, 1991 (with W. Weeks, D. Small, B. Sher, C. Kirkwood,
L. Hock and D. Avalos) |
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"Sex Discrimination,"
Equal Rights Advocates Publication, San Francisco, California, 1990
(photo credit) |
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Satellite Intelligence:
New Art from Boston and San Diego, catalogue essay, La Jolla Museum
of Contemporary Art, La Jolla California, 1990 |
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"Public Art at Work,"
Exposure, Summer 1990, volume 27 #3 (with D. Small, L. Hock and D.
Avalos) |
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"Welcome to America's
Finest," essay, S.F. Cameraworks Quarterly, Spring, 1990 (with D.
Small, C. Kirkwood, B. Sher, W. Weeks, L. Hock and D. Avalos) |
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"Censorship and the
San Diego Connection," pamphlet, Installation Gallery, 1989 (with D. Small,
L. Hock and D. Avalos) |
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"The Ad that The
San Diego Union Didn't Want You to See: 'RED EMMA RETURNS!' ," San
Diego Reader, January 19, 1989 (with D. Small, C. Kirkwook, L. Hock
and D. Avalos) |
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"O'Connor is out of
line as art czar," San Diego Tribune, commentary by Deborah Small,
Elizabeth Sisco, Louis Hock and David Avalos, September 15, 1989 |
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Welcome to America's
Finest Tourist Plantation, catalogue (with D. Avalos and L. Hock) 1988
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Untitled, La Linea
Quebrada/The Broken Line, volume 3, May 1988 (with L. Hock) |
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"Broadside #3," Art
Paper, volume 7, #9, May, 1988 (with L. Hock) |
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Undocumented Aliens
and Crime: The Case of San Diego County, Daniel Wolf, Center for U.S.-Mexican
Studies Monograph #29, 1988 (cover photo and interior photos) |
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"Border Ordure," and
cover photo, Fiction International, volume 17, #1, Spring, 1987 |
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"Double Cross," La
Linea Quebrada/The Broken Line, A Border Arts Publication, volume 1,
#1, May 1986 (with Louis Hock) |
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"Hansel and Gretel,"
Journal: A Contemporary Art Magazine, Los Angeles Institute of Contemporary
Art, Winter 1986 (with L. Hock) |
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Idols of Diversity:
Fantasies of Feminine Evil in Fin-de-Siecle Culture, Bram Dijkstra,
Oxford University Press, New York, 1986 (project photographer) |
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Second Lives,
video production of the Orange County Repertory Theater, Orange County,
California, 1985 (15 photos) |
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Self-Hypnosis: A
Complete Manual for Health and Self-change, Brian Alman, International
Health Publications, San Diego, California, 1984 (project photographer)
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America's New Immigration
Law: Origins, Rationales, and Potential Consequences, Wayne A. Cornelius
and Ricardo Anzaldua Montoya, editors, Center for U.S.-Mexican Studies,
San Diego, California, 1983 (10 photographs published) |
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Journal for the Society
of Motion Picture and Television Engineers, April 1, 1983, pages 488-494
(photo credits) |
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The Center for U.S.-
Mexican Studies Annual Report, Center for U.S.-Mexican Studies, San
Diego, California, 1983 and 1984 (photo credits) |
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Crawl Out Your Window,
number 12, 1984 (8 photographs ) |
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Maize, Notebooks
of Xicano Art and Literature, vol. 6, 1983-84 (5 photo/text works )
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Crawl Out Your Window,
number 11, 1983 (6 photographs ) |
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Criminal Tales,
video by Louis Hock, 1982 (Still photography) |
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"Eva's Quinceanera,"Obscura,
volume 2, # 2, November-December 1981 |
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"Review of Mike Kelly's
Performance"; "Remedial Reading Comprehension or How to Watch an Experimental
Film," The Visual Arts News Paper, number 2, June 1980 |
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"Michael Oblowitz: Film
maker," The Visual Arts News Paper, number 1, April 1980 |
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Artists Report,
Exhibition catalogue, Kunstlerhaus, Stuttgart, Germany, l979 |
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