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Abandoned
Spaces |
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"Abandoned Spaces
http://crca.ucsd.edu/ lmoren/lmoren _bio.html," an exchange of digital images
betweeen North American artists, Spring, 1995. |
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La Frontera
- The Border |
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"La
Frontera - The Border," Museum of Contemporary Art San Diego & El Centro
Cultural de La Raza, San Diego, 1993 then touring: Centro Cultural Tijuana,
Tijuana, Mexico, 1993; Tacoma Art Museum, Tacoma, Washington, 1993; Scottsdale
Center for the Arts, Scottdale, Arizona, 1994, Nueberger Museum, Purchase,
New York, 1994; San Jose Museum of Art, San Jose California, 1994 (gallery
screenings of The Mexican Tapes: A Chronicle of Life Outside the Law and
multimedia installation with D. Small, L. Hock, S. Kessler, & D. Avalos.) |
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Seeing
Red, White, and Blue |
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"Seeing Red, White, and
Blue," Visual Arts Center of Alaska, Anchorage, 1992 (installation with
Hock & Avalos) |
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By Any
Means Necessary |
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"By Any
Means Necessary," Printed Matter Bookstore at Dia, New York, 1992 (book
show with D. Small, L. Hock, C. Kirkwood, S. Kessler, & D. Avalos) |
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Abandoned
Spaces: http://crca.ucsd.edu/lmoren/lmoren_bio.html |
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An exchange
of digital images betweeen North American artists, Spring, 1995. |
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La Frontera
- The Border |
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Museum
of Contemporary Art San Diego and El Centro Cultural de La Raza, San Diego,
1993 then touring: Centro Cultural Tijuana, Tijuana, Mexico, 1993; Tacoma
Art Museum, Tacoma, Washington, 1993; Scottsdale Center for the Arts, Scottdale,
Arizona, 1994, Nueberger Museum, Purchase, New York, 1994; San Jose Museum
of Art, San Jose California, 1994 (gallery screenings of The Mexican Tapes:
A Chronicle of Life Outside the Law and multimedia installation with D.
Small, L. Hock, S. Kessler, and D. Avalos.) |
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Seeing
Red, White, and Blue |
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Visual Arts
Center of Alaska, Anchorage, 1992 (installation with Hock and Avalos) |
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By Any
Means Necessary |
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Printed
Matter Bookstore at Dia, New York, 1992 (book show with D. Small, L. Hock,
C. Kirkwood, S. Kessler, and D. Avalos) |
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San Diego:
America's Finest? Public Questions in a Private City. |
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San Diego: America's Finest?
Public Questions in a Private City. Window installation, elevator audio
piece and gallery exhibition documenting the "Americašs Finest" public art
projects. Art in General, New York, New York, 1992 (with D. Small, C. Kirkwood,
S. Kessler, L. Hock & D. Avalos) |
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Red Asphalt |
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A multi-media
installation that used the freeway as a metaphor for the rites of passage
experienced by international immigrants entering the United States. Artists
Space, New York, 1989 and The Centro Cultural de la Raza, San Diego, 1989
(with M. Schnoor) |
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Censorship
and the San Diego Connection |
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Pamphlet
for the No Stomach exhibition, Installation Gallery, 1989 (with D.
Small, L.Hock, and D. Avalos) |
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Life
Outside the Law |
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A photo/video
installation at the Washington Project for the Arts, Washington, D.C. 1988
(with L. Hock) |
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Critic's
Choice |
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An installation
of the bus poster, Welcome to America's Finest to Tourist Plantation, LACE
Biennial, 1988 (with L. Hock and D. Avalos) |
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